I’ve been dreading this, and tried to see if the planes could fly westerly when winds allow instead, to give us a little break at times. Unbelievably, the airport only has instruments on one side of the east/west runway (FAA’s decision), which need to be always used because some airlines unnecessarily require pilots to always use IFR instruments even on bright, sunny days.
Two of the officials in the conference call will also be affected by the noise because of where they live. They were frustrated nothing could be done. I left the conversation dumfounded. FAA and a few airlines’ ridiculous rules have left us in a one-way pickle.
Is this project even safe? As I write this, the wind is officially a strong crosswind from the south at 20mph, since planes can only take off to the east and land from the east.
What if crosswinds or tail winds are even stronger? I was told there is no workaround solution, and that planes will likely not be able to land at the military base. Landing in Fairbanks appears to be the only option, which is 260 miles by air and 360 miles by bus (if passengers have to be transported).
Hopefully, square format cameras will help move along *multi-aspect sensors* in digital to even include square. This little camera can help educate people in how square is also special, and should be part of the digital world too.
Why should we be stuck in 3:2 once the 3:2 SLR mirror box is gone?
I keep harping on this, hoping this major artistic change will come.
We all know that if you shoot a portrait of someone’s face up close with a wide angle lens, their face will be distorted and the background will appear extremely far behind them. This is called “extension distortion.” If you back up and take a picture of the same person with a telephoto lens, the subject and background will become more “compressed” meaning that the foreground and background will appear closer together. This is called “compression distortion.”
These noticeable differences lead most photographers to believe that wide angle lenses are distorting a scene while telephoto lenses are compressing a scene, but they are overlooking what is actually happening: the camera is moving. In reality, the distance from the camera to the subject is what is creating these distortions.
Two years ago, I wrote an article titled “Lens Compression Doesn’t Exist,” and in that article, I created an animated gif to prove that a wide angle lens cropped in and a telephoto lens will create the same amount of foreground and background “compression” if the camera remains in the same place. … (article)
I was greatly impressed with Renaissance while in high school, and was able to see them at the Minnesota State Fair playing in a small pavilion to only about 25 people. I couldn’t believe my eyes, standing right in front of one of the greatest bands and most people just kept walking down the path without coming inside — for free.
Jon Camp is still my favorite bass player — having such a soaring, majestic style — a one-of-a-kind! Some compare him to Chris Squire of ‘YES,’ but Jon has always moved me more.
Renaissance’s style was elegance, standing tall like the Redwoods; though, some of the lyrics were a bit dark, and were written by another lady, who seemed to be occult influenced. This concert has a great, upbeat feel, unlike some of their studio LP albums, like “Turn of the Cards,” which I still remember buying at the record store at 66th St. and Penn Ave. in Richfield, MN, while living in nearby Bloomington.
I must have heard them on KQRS, the progressive rock FM station that I was often glued to. They never played the same song in a 24 hour period, and had real DJs playing real vinyl LP records, sometimes entire albums. What a treat!
I’ve always been impressed with their song, “Mother Russia,” but didn’t know until hearing Jon Camp’s intro here that it’s about Alexander Solzhenitsyn, the imprisoned truther, author.
I love this show! It affected my life deeply during my high school years. I’m really disappointed that TalmudVision doesn’t ever seem to replay it. People deserve the chance to see this no-hate series, which I’m highlighting here by posting many short clips.
My mother is from New Ulm, and asked me to post this landmark story. Mom attended DMLC a few years before Erna’s husband was head of the music department.
I remember being amazed by this and even humming it when it came out in 1974, when electronic music was just getting going:“Fahr’n fahr’n fahr’n auf der autobahn.”
KQRS FM in Minneapolis, which I was glued to, would play this extended version on a real turntable.